The Conjuring: Last Rites Opens Strong in Nigeria, Grosses N31 Million in Debut Weekend


The Conjuring: Last Rites Opens Strong in Nigeria, Grosses N31 Million in Debut Weekend
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Warner Bros.’ newest horror release, The Conjuring: Last Rites, has stormed to the top of the Nigerian box office, earning ?31 million in its opening weekend. The performance makes it the highest-grossing film across Nigerian cinemas during its debut run.

Distributed locally by FilmOne Entertainment, the film outpaced Nollywood and other international titles, cementing the rising popularity of global horror franchises in Nigeria’s expanding cinema market.

The ninth entry in the Conjuring Universe, Last Rites continues the saga of paranormal investigators Ed and Lorraine Warren, portrayed by Patrick Wilson and Vera Farmiga. Directed by Michael Chaves, the film also stars Mia Tomlinson and Ben Hardy, with a script inspired by the real-life Smurl haunting.

Since its U.S. release on September 5, 2025, the film has grossed $187 million globally against a $55 million budget, already surpassing its break-even point. Its opening weekend alone delivered over $150 million worldwide, outperforming the overseas debuts of Warner Bros.’ earlier horror hits It and It: Chapter Two.

In Nigeria, cinema operators reported strong attendance, particularly during evening and weekend screenings, highlighting the appeal of horror films to younger audiences. Analysts point to the mix of brand recognition, effective distribution, and the communal thrill of big-screen horror as key drivers of the local box office success.

Though modest compared to U.S. and global numbers, the ?31 million haul represents a major win in Nigeria, where openings above ?20 million are considered strong. For FilmOne, the result continues a streak of successful international releases that have boosted Nigeria’s contribution to Hollywood’s global revenue streams.

The success of The Conjuring: Last Rites underscores the competitive balance between Nollywood blockbusters and Hollywood imports, a trend that has strengthened cinema culture across West Africa’s largest film market.

 

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